Covering The Beast and the LA Review of Books

I dedicated most of this weekend to production stuff for the next two books from The Digital Press at the University of North Dakota: The Beast and Protesting on Bended Knee: Dissent, and Patriotism in 21st Century America. While my work on Protesting involved adjusting margins and adding (and then revising) about 300 hyperlinks, my work on The Beast nudged us from a bunch of disassociated files to something that looks to all the world like a book!

For those of you who don’t know what The Beast is about, it’s a book length comic from Ad Astra Comix that tells the story of a couple who work to “make a living on a dying planet” against the backdrop of the Ft. McMurray tar sands, the various industries that present the oil industry to the general public, and the looming threat of “The Beast,” the massive wildfire that devastated the region on 2016. Without spoiling the story, the comic traces the lives of two media professionals as they intersect with each other and with the oil industry. Their stories – and the backdrop of overpriced hotels, bars, precarity, and the oil industry – will resonate with readers familiar with work in the Bakken or extractive industries around the world. The connection with oil, however, makes it part of The Digital Press’s Bakken Bookshelf.

Get the comic today from Ad Astra Comix. 

Then, download the Expanded Digital Edition next month from The Digital Press! 

Working on this book has been a tremendous privilege not only because of its content, but also because of the artists and writers who have helped make the Expanded Digital Version possible. Hugh Goldring, from Ad Astra has been exceptionally open to our collaboration. The designer and illustrator of The Beast, Nicole Burton, produced an tastefully updated cover for the Expanded Digital Version (presented below in draft).  

And, finally, Patrick McCurdy has worked closely with me to bring together an exceptional group of contributions for the expanded edition. These not only locate The Beast in current debates in petroculture, media studies, and the history of serious comics, but also make clear that The Beast is meant to start a wider conversation about the impact of oil on society more broadly.

In fact, it’s beyond exciting to see that this conversation has already begun with this long interview by Daniel Worden in the Los Angeles Review of Books with Nicole, Hugh, and Patrick. Check out the interview, buy a copy of The Beast, and stay tuned for the Expanded Digital Edition later this month!