Friday Varia and Quick Hits
It’s feeling like spring here in North Dakotaland and the tans and browns of the long, dry, winter are giving way to just a bit of green. Temperatures should be in the 60s for the next week or so with occasional days in the 70s. My Orthodox friends should have a lovely Sunday to spend celebrating a socially-distant Easter.
It feels like baseball weather, and that makes it a good time for the Phils to enjoy a home series with the Mets. The Sixers continue to conserve and preserve down the stretch of the season and playing the Hawks and Spurs will make that a bit easier to do. The Cup guys are in Kansas for the annual Midwestern snoozefest, and the Formula 1 party is in Portugal for the second time in as many years. There’s a good bit of boxing this weekend with Andy Ruiz’s and Mick Conlan’s long awaited return to the ring, the seemingly ageless Dereck Chisora gives it a go against Joseph Parker, Dmity Bivol will batter some dude named Craig, and Sebastian “the Towering Inferno” Fundor is fighting in some WBC title eliminator.
And now, for a word from our sponsor! Do check out the preview of Cynthia C. Prescott and Maureen S. Thompson’s Backstories: A Kitchen Table Talk Cookbook due out from the Digital Press at the University of North Dakota next month. Go here!

Now back to our regularly scheduled quick hits and varia:
A Journey Through Assassin’s Creed Odyssey with the American School and Ubisoft.
The Sheikh’s House at Quseir al-Qadim: Documenting a Thirteenth-Century Red Sea Port.
Underfunded Modernization: Tobacco Producers and Agricultural Policy in Interwar Greece.
Two Archaeologists Unscientifically Argue That Ethical Practice Is Anti-Science.
Mido Radiotimer (I suspect few of you click through to any of my watch links, but if you’ve ever been tempted to click through to one, make it this one).
What I’m reading: William Sites, Sun Ra’s Chicago: Afrofuturism and The City (Chicago 2020).
What I’m listening to: Art Ensemble of Chicago, The Spiritual.

Don’t look too closely at his mouth. There’s nothing to see here.








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