The Cult of the Dragon and the God of Thunder
In Hittite and Luwian mythology, Illuyanka was a serpentine dragon slain by Tarhunt (with variant stem forms Tarhunt, Tarhuwant, Tarhunta), although this name is from the Hittite root *tarh- “to defeat, conquer”. Tarhunt was the Hittite incarnation of the Hattian god of sky and storm Taru and the Hurrian god Teshub. It is known from Hittite cuneiform tablets found at Çorum-Boğazköy, the former Hittite capital Hattusa. The context is a ritual of the Hattian spring festival of Puruli.
Puruli (EZEN Puruliyas) was a Hattian spring festival, held at Nerik, dedicated to the earth goddess Hannahanna, who is married to a new king. The central ritual of the Puruli festival is dedicated to the destruction of the dragon Illuyanka by the storm god Teshub. The corresponding Assyrian festival is the Akitu of the Enuma Elish. Also compared are the Canaanite Poem of Baal and Psalms 93 and 29.
The sky and storm god Teshub is depicted holding a triple thunderbolt and a weapon, usually an axe (often double-headed) or mace. The sacred bull common throughout Anatolia was his signature animal, represented by his horned crown or by his steeds Seri and Hurri, who drew his chariot or carried him on their backs. According to Hittite myths, one of Teshub’s greatest acts was the slaying of the dragon Illuyanka.
The Hurrian myth of Teshub’s origin—he was conceived when the god Kumarbi bit off and swallowed his father Anu’s genitals, as such it most likely shares a Proto-Indo-European cognate with the Greek story of Uranus, Cronus, and Zeus, which is recounted in Hesiod’s Theogony. Teshub’s brothers are Tigris (personification of the river), Ullikummi (stone giant) and Tashmishu.
In the Hurrian schema, Teshub was paired with Hebat the mother goddess; in the Hittite, with the sun goddess Arinniti of Arinna—a cultus of great antiquity which has similarities with the venerated bulls and mothers at Çatalhöyük in the Neolithic era. His son was called Sarruma, the mountain god.
The Hittite texts were introduced in 1930 by W. Porzig, who first made the comparison of Teshub’s battle with Illuyankas with the sky-god Zeus’ battle with serpent-like Typhon, told in Pseudo-Apollodorus, Bibliotheke (I.6.3); the Hittite-Greek parallels found few adherents at the time, the Hittite myth of the castration of the god of heaven by Kumarbi, with its clearer parallels to Greek myth, not having yet been deciphered and edited.
Zeus is the “Father of Gods and men” who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion, and modern Hellenic Polytheistic Reconstructionism.
Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr (“Sky Father”). The god is known under this name in the Rigveda (Vedic Sanskrit Dyaus/Dyaus Pita), Latin (compare Jupiter, from Iuppiter, deriving from the Proto-Indo-European vocative *dyeu-ph2tēr), deriving from the root *dyeu- (“to shine”, and in its many derivatives, “sky, heaven, god”).
Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek di-we and di-wo, written in Linear b syllabic script.
Zeus is the god of sky and thunder in Greek mythology. His symbols are the thunderbolt, eagle, bull, and oak. He is frequently depicted by Greek artists in one of two poses: standing, striding forward, with a thunderbolt leveled in his raised right hand, or seated in majesty.
In addition to his Indo-European inheritance, the classical “cloud-gatherer” also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. His Roman counterpart is Jupiter, Hindu counterpart is Indra and Etruscan counterpart is Tinia.
Typhon, Typhaon or Typhos was the most deadly monster of Greek mythology. The last son of Gaia, fathered by Tartarus, he was known as the “Father of All Monsters”; his wife Echidna was likewise the “Mother of All Monsters.”
Typhon may be derived from the Greek τύφειν (typhein), to smoke, hence it is considered to be a possible etymology for the word typhoon, supposedly borrowed by the Persians (as Tufân) and Arabs to describe the cyclonic storms of the Indian Ocean. The Greeks also frequently represented him as a storm-demon, especially in the version where he stole Zeus’s thunderbolts and wrecked the earth with storms (cf. Hesiod, Theogony; Nonnus, Dionysiaca).
Typhon was known to be a large humanoid beast. Typhon was the last child of Gaia. After the defeat of his brothers, the Gigantes, Gaia urged him to avenge them, as well as his other brothers, the Titans.
Typhon is also the father of hot dangerous storm winds which issue forth from the stormy pit of Tartarus, according to Hesiod. Likewise, the rumblings of Typhon emitted from deepest Tartarus could be clearly heard within the underground torrent near Seleuceia, now in Turkey, until his presence was neutralized by the building of a Byzantine church nearby.
Typhon started destroying cities and hurling mountains in a fit of rage. All of the gods of Olympus fled to their home. Only Zeus stood firm, and the battle raged, ending when Zeus threw one hundred well aimed lightning bolts on top of Typhon, trapping him.
In the alternative account of the origin of Typhon (Typhoeus), the Homeric Hymn to Apollo makes the monster Typhaon at Delphi a son of archaic Hera in her Minoan form, produced out of herself, like a monstrous version of Hephaestus or Mars, and whelped in a cave in Cilicia and confined there in the enigmatic Arima, or land of the Arimoi, en Arimois (Iliad, ii. 781–783).
It was in Cilicia that Zeus battled with the ancient monster and overcame him, in a more complicated story: It was not an easy battle, and Typhon temporarily overcame Zeus, cut the “sinews” from him and left him in the “leather sack”, the korukos that is the etymological origin of the korukion andron, the Korykian or Corycian Cave in which Zeus suffers temporary eclipse as if in the Land of the Dead. The region of Cilicia in southeastern Anatolia had many opportunities for coastal Hellenes’ connection with the Hittites to the north.
From its first reappearance, the Hittite myth of Illuyankas has been seen as a prototype of the battle of Zeus and Typhon. Walter Burkert and Calvert Watkins each note the close agreements. Watkins’ How to Kill a Dragon: Aspects of Indo-European Poetics (Oxford University Press) 1995, reconstructs in disciplined detail the flexible Indo-European poetic formula that underlies myth, epic and magical charm texts of the lashing and binding of Typhon.
Since Herodotus, Typhon has been identified by some scholars with the Egyptian Set. In the Orphic tradition, Typhon leads the Titans when they attack and kill Dionysus, just as Set is responsible for the murder of Osiris. Furthermore, the slaying of Typhon by Zeus bears similarities to the killing of Vritra by Indra (a deity also associated with lightning and storms), and possibly the two stories are ultimately derived from a common Indo-European source.
Similarities can be found in the battle between Thor and Jormungand from Norse myths, as well as (perhaps) an incident in the Irish Metrical Dindsenchas in which the Dagda fights a giant octopus. Mythologist Joseph Campbell also makes parallels to the slaying of Leviathan by YHWH, about which YHWH boasts to Job.
Comparisons can also be drawn with the Mesopotamian monster Tiamat and its slaying by Babylonian chief god Marduk. The similarities between the Greek myth and its earlier Mesopotamian counterpart do not seem to be merely accidental. A number of west Semitic (Ras Shamra) and Hittite sources appear to corroborate the theory of a genetic relationship between the two myths.
Soon after taking the throne as king of the gods, Zeus had to fight some of Gaia’s other children, the monsters Typhon and Echidna. He vanquished Typhon and trapped him under Mount Etna, but left Echidna and her children alive.
Typhon attempts to destroy Zeus at the will of Gaia, because Zeus had imprisoned the Titans. Typhon overcomes Zeus in their first battle, and tears out Zeus’ sinews. However, Hermes recovers the sinews and restores them to Zeus. Typhon is finally defeated by Zeus, who traps him underneath Mount Etna.
Arima, couch of Typhoeus, as Homer expresses it, is a hard-to-place site in Greek mythology, said to be where Zeus defeated Typhon and where Echidna dwells.
In the Iliad, following the catalogue of ships, Homer returns to describing the tramp of the huge Achaean army; it is like the resounding earth beneath the “anger of Zeus who delights in thunder, whenever he lashes the ground around Typhoeus in Arima (en Arimois), where they say is Typhoeus’ bed”. “Even the ancients were uncertain,” Robin Lane Fox observes, in preface to offering an identification of “Arima”. Some readers have assumed that an unattested people, the Arimoi, were intended. Homer’s interjection “they say” seems to place Arima at a certain remove from his experience and those of his hearers. “It is clear that ancient critics did not know which region this signified,” comments G.S. Kirk concerning this passage.
Hesiod remarks that “Arima” is where Echidna, the chthonic mate of Typhon, dwells, “there in earth’s secret places. For there she has her cave on the underside of a hollow rock, far from the immortal gods, and far from all mortals. There the gods ordained her a fabulous home to live in which she keeps underground among the Arimoi, grisly Ekhidna.” A fragment from a lost poem of Pindar notes that in the “highly celebrated Corycian cave”, “once, among the Arimoi” Zeus had battered Thyphoeus, with “fifty” heads.
Strabo gives a brief list of the places where “Arima” had been sited by previous writers: Lydia, Syria, Cilicia, and even Sicily and the west.
Fox notes that in north Syria, where the early Greek trading post of Al Mina lay, the presence, from the ninth century onwards, the presence of “Aramaeans”, speaking and writing Aramaic. Even earlier, royal Assyrian texts of c. 1060 refers to a land A-ri-me, A-ri-mi or A-ra-me eastwards in Mesopotamia; its people recur in a text of Sargon c. 710 BCE A-ra-me.
The truth is more subtle than a simple identification with such a “distant hint”, as Fox demonstrates, linking myth, surviving inscriptions and other documentation to identify “Arima” with the territory surrounding the Corycian cave, an identification first made by Alexander’s historical advisor, Callisthenes: “the Arimoi are located by the Corycian cave near Calycadnus and the promontory of Sarpedon; the neighboring mountains are called ‘Arima'”.
Fox confirms Callisthenes with an inscription in the temple built at the cave’s entrance that records a visitor’s propitiation of Pan and Hermes, at this “broad recess in the earth at Arima”; Hermes and goat-Pan (Aigipan) rescued Zeus, deprived of his “sinews” from his first defeat at the hands of Typhon.
Fox notes that “in inscriptions found at the nearby settlement of Corycos, Zeus is specifically entitled the ‘Zeus of Victory,’ referring to his victory, therefore, in the war with Typhon”; he also notes in passing the earlier Hittite place name Erimma in Cilicia.
In the Corycian Cave – now Cennet ve Cehennem (English: heaven and hell), the names of two big sinkholes on the Taurus Mountains, in Mersin Province, Turkey, 20 stadia inland, says Strabo, the best crocus (saffron) grows.
Taurus Mountains are a mountain complex in southern Turkey, dividing the Mediterranean coastal region of southern Turkey from the central Anatolian Plateau. The system extends along a curve from Lake Eğirdir in the west to the upper reaches of the Euphrates and Tigris rivers in the east. It is a part of the Alpide belt in Eurasia.
In the Aladaglar and Bolkar mountains, limestone has eroded to form karstic landscapes of waterfalls, underground rivers, and some of the largest caves of Asia. The Manavgat River originates on the southern slopes of the Beydaglari range.
The bull was commonly the symbol and depiction of ancient Near Eastern storm gods, hence Taurus the bull, etc., and hence the name of the mountains. The mountains are a place of many ancient storm-god temples.
Torrential thunderstorms in these mountains were deemed by the ancient Syrians to be the work of the storm-god Adad to make the Tigris and Euphrates rivers rise and flood and thereby fertilise their land. The Hurrians (Armenians), probably originators of the various storm-gods of the ancient Near East, were a people whom modern scholars place in the Taurus Mountains at their probable earliest origins.
A Bronze Age archaeological site, where early evidence of tin mining was found, is at Kestel. The pass known in antiquity as the Cilician Gates crosses the range north of Tarsus.
Strabo describes this cave as a great hollow, of a circular form, surrounded by a margin of rock, on all sides of a considerable height; on descending into this cavity, the ground is found to be uneven and generally rocky, and it is filled with shrubs, both evergreen and cultivated; in some parts the saffron is cultivated: there is also a cave here which contains a large source, which pours forth a river of pure, pellucid water, but it immediately sinks into the earth, and flowing underground enters the sea: they call it the Bitter Water. Pomponius Mela (i.13) has a long description of the same place apparently from the same authority that Strabo followed, but more embellished. This place is probably on the top of the mountain above Corycus.
This place is famed in Greek mythology. It is the Cilician cave of Pindar (Pythian Ode i. 31), and of Aeschylus (Prom. Vinct. 350), and as Arima, couch of Typhoeus, it is the lair of Zeus’ fiercest opponent, the giant Typhon or Typhoeus.
Indra Śakra is the leader of the Devas or gods and the lord of Svargaloka or heaven in the Hindu religion. He is the god of rain and thunderstorms. He wields a lightning thunderbolt known as vajra and rides on a white elephant known as Airavata.
Indra is one of the chief deities and is the twin brother of Agni, said to be born of Dyaus Pitar (Father Heaven) and Prithvi Mata (Mother Earth). He is also mentioned as an Aditya, son of Aditi. His home is situated on Mount Meru in the heaven. He has many epithets, notably vṛṣan the bull, and vṛtrahan, slayer of Vṛtra, Meghavahana “the one who rides the clouds” and Devapati “the lord of gods or devas”.
In the early Vedic religion, Vritra (Vṛtra वृत्र “the enveloper”), is an Asura and also a serpent or dragon, the personification of drought and enemy of Indra. Vritra was also known in the Vedas as Ahi (“snake”). He appears as a dragon blocking the course of the Rivers and is heroically slain by Indra.
Aspects of Indra as a deity are cognate to other Indo-European gods; they are either thunder gods such as Thor, Perun, and Zeus, or gods of intoxicating drinks such as Dionysos. The name of Indra (Indara) is also mentioned among the gods of the Mitanni, a Hurrian-speaking people who ruled northern Syria from ca.1500BC-1300BC.
In Celtic mythology Taranis was the god of thunder worshipped essentially in Gaul, the British Isles, but also in the Rhineland and Danube regions, amongst others. Taranis, along with Esus and Toutatis as part of a sacred triad, was mentioned by the Roman poet Lucan in his epic poem Pharsalia as a Celtic deity to whom human sacrificial offerings were made. Taranis was associated, as was the cyclops Brontes (“thunder”) in Greek mythology, with the wheel.
Many representations of a bearded god with a thunderbolt in one hand and a wheel in the other have been recovered from Gaul, where this deity apparently came to be syncretised with Jupiter.
The name as recorded by Lucan is unattested epigraphically, but variants of the name include the forms Tanarus, Taranucno-, Taranuo-, and Taraino-. The name is continued in Irish as Tuireann, and is likely connected with those of Germanic (Norse Thor, Anglo-Saxon Þunor, German Donar) and Sami (Horagalles) gods of thunder. Taranis is likely associated with the Gallic Ambisagrus (likely from Proto-Celtic *ambi-sagros = “about-strength”), and in the interpretatio romana with Jupiter.
The reconstructed Proto-Celtic form of the name is *Toranos “thunder”. In present day Welsh taranu and taran means ‘to thunder’ and ‘thunder’ (taraniñ and taran in Breton), and in present day Irish Tarann means ‘thunder’. This may also be connected to the Ancient Greek “ουρανός” (“ouranos”, meaning “sky”), and “του ουρανού” (“touranou” or “touranos”, meaning “of the sky” or “from the sky”, possibly indicating the origin of thunder (also see Ogmios).
Taranis, as a personification of thunder, is often identified with similar deities found in other Indo-European pantheons. Of these, Old Norse Þórr, Anglo-Saxon Þunor, Old High German Donar—all from Proto-Germanic *þunraz or *þonar-oz—and the Hittite theonym Tarhun (see Teshub) contain a comparable *torun- element. The Thracian deity names Zbel-thurdos, Zbel-Thiurdos also contain this element (Thracian thurd(a), “push, crash down”). The name of the Sami thunder god Horagalles derives from Thor’s.
Votive wheels called Rouelles, thought to correspond to the cult of Taranis. Thousands of such wheels have been found in sanctuaries in Belgic Gaul, dating from 50 BC to 50 AD. Musée d’Archéologie Nationale.
The wheel, more specifically the chariot wheel with six or eight spokes, was an important symbol in historical Celtic polytheism, apparently associated with a specific god, known as the wheel-god, identified as the sky- sun- or thunder-god, whose name is attested as Taranis by Lucan. Numerous Celtic coins also depict such a wheel. It is thought to correspond to a sun-cult practiced in Bronze Age Europe, the wheel representing the sun. The half-wheel shown in the Gundestrup “”broken wheel” panel also has eight visible spokes.
Symbolic votive wheels were offered at shrines (such as in Alesia), cast in rivers (such as the Seine), buried in tombs or worn as amulets since the Middle Bronze Age. Such “wheel pendants” from the Bronze Age usually had four spokes, and are commonly identified as solar symbols or “sun cross”. Artefacts parallel to the Celtic votive wheels or wheel-pendants are the so-called Zierscheiben in a Germanic context. The identification of the Sun with a wheel, or a chariot, has parallels in Germanic, Greek and Vedic mythology (sun chariot).
In Norse mythology, Thor (from Old Norse Þórr) is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing, healing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar (runic þonar ᚦᛟᚾᚨᚱ), stemming from a Common Germanic *Þunraz (meaning “thunder”).
Ultimately stemming from Proto-Indo-European religion, Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman occupation of regions of Germania, to the tribal expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, Mjölnir, were worn in defiance and Norse pagan personal names containing the name of the god bear witness to his popularity.
Into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday (“Thor’s day”) bears his name, and names stemming from the pagan period containing his own continue to be used today.
Thor’s exploits, including his relentless slaughter of his foes and fierce battles with the monstrous serpent Jörmungandr—and their foretold mutual deaths during the events of Ragnarök—are recorded throughout sources for Norse mythology.
In Norse mythology, Jörmungandr (Old Norse: Jǫrmungandr, often written Jormungand, or Jörmungand and also known as the Midgard Serpent (Old Norse: Midgarðsormr), or World Serpent, is a sea serpent, the middle child of the giantess Angrboða and the god Loki.
The last meeting between the serpent and Thor is predicted to occur at Ragnarök, when Jörmungandr will come out of the ocean and poison the sky. Thor will kill Jörmungandr and then walk nine paces before falling dead, having been poisoned by the serpent’s venom.
According to the Prose Edda, Odin took Loki’s three children by Angrboða, the wolf Fenrir, Hel and Jörmungandr, and tossed Jörmungandr into the great ocean that encircles Midgard. The serpent grew so large that he was able to surround the earth and grasp his own tail. As a result, he received the name of the Midgard Serpent or World Serpent. When he lets go, the world will end. Jörmungandr’s arch-enemy is the god Thor.
The swastika symbol has been identified as representing the hammer or lightning of Thor. Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor:
The protective sign of the hammer was worn by women, as we know from the fact that it has been found in women’s graves. It seems to have been used by the warrior also, in the form of the swastika. […] Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer, for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.
Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula (DR EM85;123) from Zealand, Denmark; the Gothic spearhead from Brest-Litovsk, Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, Norway; and the 9th century Snoldelev Stone (DR 248) from Ramsø, Denmark.
Scholars have theorized on Thor’s role in Germanic religion and the origins thereof. Scholar Hilda Ellis Davidson summarizes that:
The cult of Thor was linked up with men’s habitation and possessions, and with well-being of the family and community. This included the fruitfulness of the fields, and Thor, although pictured primarily as a storm god in the myths, was also concerned with the fertility and preservation of the seasonal round. In our own times, little stone axes from the distance past have been used as fertility symbols and placed by the farmer in the holes made by the drill to receive the first seed of spring.
Thor’s marriage with the golden-haired goddess Sif of the golden hair, about which we hear little in the myths, seems to be a memory of the ancient symbol of divine marriage between sky god and earth goddess, when he comes to earth in the thunderstorm and the storm brings the rain which makes the fields fertile. In this way Thor, as well as Odin, may be seen to continue the cult of the sky god which was known in the Bronze Age.
Sea serpents feature prominently in the mythology of the Ancient Near East, attested as early as the 3rd millennium BCE in Sumerian iconography depicting the myth of the god Ninurta overcoming the seven-headed serpent. Examples of the storm god vs. sea serpent trope in the Ancient Near East can be seen with Baʿal vs. Yam (Canaanite), Marduk vs. Tiamat (Babylonian), and Atum vs. Nehebkau (Egyptian) among others, with attestations as early as the 2nd millennium as seen on Syrian seals.
Yam was the god of the sea, and became popular in the Ancient Egyptian times. Yam, from the Canaanite word Yam, meaning “Sea”, also written “Yaw”, is one name of the Ugaritic god of Rivers and Sea. Also titled Judge Nahar (“Judge River”), he is also one of the ‘ilhm (Elohim) or sons of El, the name given to the Levantine pantheon. Others dispute the existence of the alternative names, claiming it is a mistranslation of a damaged tablet. Despite linguistic overlap, theologically this god is not a part of the later subregional monotheistic theology, but rather is part of a broader and archaic Levantine polytheism.
Yam is the deity of the primordial chaos and represents the power of the sea untamed and raging; he is seen as ruling storms and the disasters they wreak. The gods cast out Yam from the heavenly mountain Sappan (modern Jebel Aqra; “Sappan” is cognate to Tsephon. The seven-headed dragon Lotan is associated closely with him and the serpent is frequently used to describe him. He is the Canaanite equivalent of the Sumerian Tiamat, the primordial mother goddess.
Of all the gods, despite being the champion of El, Yam holds special hostility against Baal Hadad, son of Dagon. Yam is a deity of the sea and his palace is in the abyss associated with the depths, or Biblical tehwom, of the oceans. (This is not to be confused with the abode of Mot, the ruler of the netherworlds.)
Lotan or Lawtan is the seven-headed sea serpent or dragon of Ugaritic myths. He is either a pet of the god Yamm or an aspect of Yamm himself; the cosmic ocean of myth is often known as a great stream. In the Hebrew analogue Lotan is who was also known as Yam (sea) the Leviathan. He represents the mass destruction of floods, oceans, and winter. He lives in a palace in the sea. He fights with Baal Hadad, who scatters him.
In Ugaritic texts, Yam’s special enemy Hadad is also known as the “king of heaven” and the “first born son” of El, whom ancient Greeks identified with their god Cronus, just as Baal was identified with Zeus, Yam with Poseidon and Mot with Hades. Yam wished to become the Lord god in his place. In turns the two beings kill each other, yet Hadad is resurrected and Yam also returns. Some authors have suggested that these tales reflect the experience of seasonal cycles in the Levant.
“Yam, Judge Nahar” also has similarities with Mesopotamian Tiamat and Abzu and the battle between Yam and Baal (the Storm God) resembles the battle in Hurrian and Hittite mythology between the sky God Teshub (or Tarhunt) with the serpent Illuyanka. In this respect the battle with Baal resembles the battle between Tiamat and Enlil and Babylonian Marduk. In the case of Yam, however, there is no indication that he was slain, as it appears from the texts that he was put to sleep through the intervention of Baal’s “sister” and wife, Anath.
Moreover, a comparison with the evil Jörmungandr (Norse world-serpent and deity of the sea) is accurate, given his description. Like Yam and Hadad, he and Thor (son of Odin) slay each other at the end of the world (Ragnarök or Twilight of the Gods).
There are also many similarities with the Egyptian chaos serpent, Apep and his animosity with the sun god Ra. They are described as eternally slaying each other.
In addition, the serpent-Titan Typhon battled the god Zeus over Olympus and was cast into the pits of the Earth.
Yam shares many characteristics with Greco-Roman Ophion, the serpentine Titan of the sea whom Cronus cast out of the heavenly Mt. Olympus.
The story is also analogus to the war between the serpent Vritra and the god Indra, son of the ‘Sky Father’ Dyaus Pita.
At least one writer has pointed out, regarding the occurrence of “Yw” in the Baal Cycle, that one possible vocalization is “Yaw”, and thus may possibly have etymological ties to YHWH of the Hebrew Old Testament. In this case the struggle between Yam/Yaw and Baal, prefigures that mentioned between the priests of Baal and the priests of Yahweh, led by Elijah, at Mount Carmel in 1 Kings 18.
In the Ugaritic texts Lotan, or possibly another of Yam’s helpers, is given the epithets “wriggling serpent” and “mighty one with the seven heads.” Isaiah 27:1 uses the first of these phrases to describe Leviathan (although in this case the name “Leviathan” may refer to an unnamed historical/political enemy of Israel rather than the original serpent-monster).
In Psalm 104, Leviathan is not described as harmful in any way, but simply as a creature of the ocean, part of God’s creation. It is possible that the authors of the Job 41:2-26, on the other hand, based the Leviathan on descriptions of Egyptian animal mythology where the crocodile is the enemy of the solar deity Horus (and is subdued either by Horus, or by the Pharaoh). This is in contrast to typical descriptions of the sea monster trope in terms of mythological combat.
Leviathan (“twisted, coiled”) is a sea monster referenced in the Tanakh, or the Old Testament.
The word has become synonymous with any large sea monster or creature. In literature (e.g., Herman Melville’s Moby-Dick) it refers to great whales, and in Modern Hebrew, it means simply “whale.” It is described extensively in Job 41 and mentioned in Isaiah 27:1.
Later Jewish sources describe Leviathan as a dragon who lives over the Sources of the Deep and who, along with the male land-monster Behemoth, will be served up to the righteous at the end of time.
The Leviathan of the Middle Ages was used as an image of Satan, endangering both God’s creatures—by attempting to eat them—and God’s creation—by threatening it with upheaval in the waters of Chaos. St. Thomas Aquinas described Leviathan as the demon of envy, first in punishing the corresponding sinners. (Secunda Secundae Question 36) Leviathan became associated with, and may originally have referred to, the visual motif of the Hellmouth, a monstrous animal into whose mouth the damned disappear at the Last Judgement, found in Anglo-Saxon art from about 800, and later all over Europe.
Behemoth is a beast mentioned in Job 40:15–24. Suggested identities range from dinosaur to crocodile to a mythological creature. Metaphorically, the name has come to be used for any extremely large or powerful entity.
In Jewish apocrypha and pseudepigrapha such as the 2nd century BCE Book of Enoch, Behemoth is the primal unconquerable monster of the land, as Leviathan is the primal monster of the waters of the sea and Ziz the primordial monster of the sky. According to this text Leviathan lives in “the Abyss”, while Behemoth the land-monster lives in an invisible desert east of the Garden of Eden (1 Enoch 60:7–8).
A Jewish rabbinic legend describes a great battle which will take place between them at the end of time: “…they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword [and slay them both].” Then, “from the beautiful skin of the Leviathan, God will construct canopies to shelter the righteous, who will eat the meat of the Behemoth and the Leviathan amid great joy and merriment.” (Artscroll siddur, p. 719).
The Ziz is a giant griffin-like bird in Jewish mythology, said to be large enough to be able to block out the sun with its wingspan. It is considered a giant animal/monster corresponding to archetypal creatures. Rabbis have said that the Ziz is comparable to the Persian Simurgh, while modern scholars compare the Ziz to the Sumerian Anzu and the Ancient Greek phoenix. Behemoth, Leviathan and Ziz were traditionally a favorite decoration motif for rabbis living in Germany.
Marduk, sun and thunder god of Babylon, with his thunderbolts pursues Anzu after Anzu stole the Tablets of Destiny.
Zu, also known as Anzu and Imdugud, in Sumerian, (from An “heaven” and Zu “to know”, in the Sumerian language) is a lesser divinity of Akkadian mythology, and the son of the bird goddess Siris. He was conceived by the pure waters of the Apsu and the wide Earth. Both Zu and Siris are seen as massive birds who can breathe fire and water, although Zu is alternately seen as a lion-headed eagle (cf: The Griffin).
Anzu was a servant of the chief sky god Enlil, guard of the throne in Enlil’s sanctuary, (possibly previously a symbol of Anu), from whom Anzu stole the Tablet of Destinies, so hoping to determine the fate of all things. In one version of the legend, the gods sent Lugalbanda to retrieve the tablets, who in turn, killed Anzu. In another, Ea and Belet-Ili conceived Ninurta for the purpose of retrieving the tablets. In a third legend, found in The Hymn of Ashurbanipal, Marduk is said to have killed Anzu.
In Sumerian and Akkadian mythology, Zu is a divine storm-bird and the personification of the southern wind and the thunder clouds. This demon, half man and half bird, stole the “Tablets of Destiny” from Enlil and hid them on a mountaintop. Anu ordered the other gods to retrieve the tablets, even though they all feared the demon. According to one text, Marduk killed the bird, but in another text it died through the arrows of the god Ninurta. The bird is also referred to as Imdugud or Anzu.
A Babylonian deity associated with cosmogeny, represented as stripping the father of the gods of umsimi, usually translated “crown” but, as it was on the seat of Bel it was actually the “ideal creative organ.” “Ham is the Chaldean Zu, and both are cursed for the same allegorically described crime,” which parallels the mutilation of Uranos by Kronos and of Set by Horus.
In Mesopotamian mythology, the Tablet of Destinies – Dup Shimati in Sumerian – (not, as frequently misquoted in general works, the ‘Tablets of Destinies’) was envisaged as a clay tablet inscribed with cuneiform writing, also impressed with cylinder seals, which, as a permanent legal document, conferred upon the god Enlil his supreme authority as ruler of the universe.
In the Sumerian poem ‘Ninurta and the Turtle’ it is the god Enki, rather than Enlil, who holds the tablet. Both this poem and the Akkadian Anzû poem share concern of the theft of the tablet by the bird Imdugud (Sumerian) or Anzû (Akkadian). Supposedly, whoever possessed the tablet ruled the universe. In the Babylonian Enuma Elish, Tiamat bestows this tablet on Qingu (in some instances spelled “Kingu”) and gives him command of her army. Marduk, the chosen champion of the gods, then fights and destroys Tiamat and her army. Marduk reclaims the Tablet of Destinies for himself, thereby strengthening his rule among the gods.
The tablet can be compared with the concept of the Me, divine decrees. In Sumerian mythology, a me (Sumerian, conventionally pronounced [mɛ]) or ñe [ŋɛ] or parşu (Akkadian, [parsˤu]) is one of the decrees of the gods foundational to those social institutions, religious practices, technologies, behaviors, mores, and human conditions that make civilization, as the Sumerians understood it, possible. They are fundamental to the Sumerian understanding of the relationship between humanity and the gods. Marduk (Sumerian spelling in Akkadian: AMAR.UTU, “solar calf”; perhaps from MERI.DUG) was the Babylonian name of a late-generation god from ancient Mesopotamia and patron deity of the city of Babylon, who, when Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BCE), started to slowly rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BCE.
According to The Encyclopedia of Religion, the name Marduk was probably pronounced Marutuk. The etymology of the name Marduk is conjectured as derived from amar-Utu (“bull calf of the sun god Utu”). The origin of Marduk’s name may reflect an earlier genealogy, or have had cultural ties to the ancient city of Sippar (whose god was Utu, the sun god), dating back to the third millennium BCE.
In the perfected system of astrology, the planet Jupiter was associated with Marduk by the Hammurabi period.
Marduk’s original character is obscure but he was later on connected with water, vegetation, judgment, and magic. He was also regarded as the son of Ea (Sumerian Enki) and Damkina and the heir of Anu, but whatever special traits Marduk may have had were overshadowed by the political development through which the Euphrates valley passed and which led to people of the time imbuing him with traits belonging to gods who in an earlier period were recognized as the heads of the pantheon. There are particularly two gods—Ea and Enlil—whose powers and attributes pass over to Marduk.
In the case of Ea, the transfer proceeded pacifically and without effacing the older god. Marduk took over the identity of Asarluhi, the son of Ea and god of magic, so that Marduk was integrated in the pantheon of Eridu where both Ea and Asarluhi originally came from. Father Ea voluntarily recognized the superiority of the son and hands over to him the control of humanity. This association of Marduk and Ea, while indicating primarily the passing of the supremacy once enjoyed by Eridu to Babylon as a religious and political centre, may also reflect an early dependence of Babylon upon Eridu, not necessarily of a political character but, in view of the spread of culture in the Euphrates valley from the south to the north, the recognition of Eridu as the older centre on the part of the younger one.
While the relationship between Ea and Marduk is marked by harmony and an amicable abdication on the part of the father in favour of his son, Marduk’s absorption of the power and prerogatives of Enlil of Nippur was at the expense of the latter’s prestige. Babylon became independent in the early 19th century BC, and was initially a small city state, overshadowed by older and more powerful Mesopotamian states such as Isin, Larsa and Assyria. However, after Hammurabi forged an empire in the 18th century BC, turning Babylon into the dominant state in the south, the cult of Marduk eclipsed that of Enlil; although Nippur and the cult of Enlil enjoyed a period of renaissance during the over four centuries of Kassite control in Babylonia (c. 1595 BCE–1157 BCE), the definite and permanent triumph of Marduk over Enlil became felt within Babylonia.
The only serious rival to Marduk after ca. 1750 BCE was the god Aššur (Ashur) (who had been the supreme deity in the northern Mesopotamian state of Assyria since the 25th century BC) which was the dominant power in the region between the 14th to the late 7th century BC. In the south, Marduk reigned supreme. He is normally referred to as Bel “Lord”, also bel rabim “great lord”, bêl bêlim “lord of lords”, ab-kal ilâni bêl terêti “leader of the gods”, aklu bêl terieti “the wise, lord of oracles”, muballit mîte “reviver of the dead”, etc.
When Babylon became the principal city of southern Mesopotamia during the reign of Hammurabi in the 18th century BC, the patron deity of Babylon was elevated to the level of supreme god. In order to explain how Marduk seized power, Enûma Elish was written, which tells the story of Marduk’s birth, heroic deeds and becoming the ruler of the gods. This can be viewed as a form of Mesopotamian apologetics. Also included in this document are the fifty names of Marduk.
In Enûma Elish, a civil war between the gods was growing to a climactic battle. The Anunnaki gods gathered together to find one god who could defeat the gods rising against them. Marduk, a very young god, answered the call and was promised the position of head god.
To prepare for battle, he makes a bow, fletches arrows, grabs a mace, throws lightning before him, fills his body with flame, makes a net to encircle Tiamat within it, gathers the four winds so that no part of her could escape, creates seven nasty new winds such as the whirlwind and tornado, and raises up his mightiest weapon, the rain-flood. Then he sets out for battle, mounting his storm-chariot drawn by four horses with poison in their mouths. In his lips he holds a spell and in one hand he grasps a herb to counter poison.
First, he challenges the leader of the Anunnaki gods, the dragon of the primordial sea Tiamat, to single combat and defeats her by trapping her with his net, blowing her up with his winds, and piercing her belly with an arrow.
Then, he proceeds to defeat Kingu, who Tiamat put in charge of the army and wore the Tablets of Destiny on his breast, and “wrested from him the Tablets of Destiny, wrongfully his” and assumed his new position. Under his reign humans were created to bear the burdens of life so the gods could be at leisure.
Marduk was depicted as a human, often with his symbol the snake-dragon which he had taken over from the god Tishpak. Another symbol that stood for Marduk was the spade.
Babylonian texts talk of the creation of Eridu by the god Marduk as the first city, “the holy city, the dwelling of their [the other gods] delight”.
Nabu, god of wisdom, is a son of Marduk.
Adad in Akkadian and Ishkur in Sumerian and Hadad in Aramaic are the names of the storm-god in the Babylonian-Assyrian pantheon. All three are usually written by the logogram dIM. The Akkadian god Adad is cognate in name and functions with northwest Semitic god Hadad.
In Akkadian, Adad is also known as Ramman (“Thunderer”) cognate with Aramaic Rimmon which was a byname of the Aramaic Hadad. Ramman was formerly incorrectly taken by many scholars to be an independent Babylonian god later identified with the Amorite god Hadad.
The Sumerian Ishkur appears in the list of gods found at Fara but was of far less importance than the Akkadian Adad later became, probably partly because storms and rain are scarce in southern Babylonia and agriculture there depends on irrigation instead. Also, the gods Enlil and Ninurta also had storm god features which decreased Ishkur’s distinctiveness. He sometimes appears as the assistant or companion of one or the other of the two.
When Enki distributed the destinies, he made Ishkur inspector of the cosmos. In one litany Ishkur is proclaimed again and again as “great radiant bull, your name is heaven” and also called son of An, lord of Karkara; twin-brother of Enki, lord of abundance, lord who rides the storm, lion of heaven.
In other texts Adad/Ishkur is sometimes son of the moon god Nanna/Sin by Ningal and brother of Utu/Shamash and Inana/Ishtar. He is also occasionally son of Enlil.
Adad/Ishkur’s consort (both in early Sumerian and later Assyrian texts) was Shala, a goddess of grain, who is also sometimes associated with the god Dagan. She was also called Gubarra in the earliest texts. The fire god Gibil (named Gerra in Akkadian) is sometimes the son of Ishkur and Shala.
Adad/Ishkur’s special animal is the bull. He is naturally identified with the Anatolian storm-god Teshub. Occasionally Adad/Ishkur is identified with the god Amurru, the god of the Amorites.
The Babylonian center of Adad/Ishkur’s cult was Karkara in the south, his chief temple being E. Karkara; his spouse Shala his was worshipped in a temple named E. Durku. But among the Assyrians his cult was especially developed along with his warrior aspect. From the reign of Tiglath-Pileser I (1115–1077 BCE), Adad had a double sanctuary in Assur which he shared with Anu. Anu is often associated with Adad in invocations. The name Adad and various alternate forms and bynames (Dadu, Bir, Dadda) are often found in the names of the Assyrian kings.
Adad/Ishkur presents two aspects in the hymns, incantations, and votive inscriptions. On the one hand he is the god who, through bringing on the rain in due season, causes the land to become fertile, and, on the other hand, the storms that he sends out bring havoc and destruction. He is pictured on monuments and cylinder seals (sometimes with a horned helmet) with the lightning and the thunderbolt (sometimes in the form of a spear), and in the hymns the sombre aspects of the god on the whole predominate. His association with the sun-god, Shamash, due to the natural combination of the two deities who alternate in the control of nature, leads to imbuing him with some of the traits belonging to a solar deity.
Shamash and Adad became in combination the gods of oracles and of divination in general. Whether the will of the gods is determined through the inspection of the liver of the sacrificial animal, through observing the action of oil bubbles in a basin of water or through the observation of the movements of the heavenly bodies, it is Shamash and Adad who, in the ritual connected with divination, are invariably invoked. Similarly in the annals and votive inscriptions of the kings, when oracles are referred to, Shamash and Adad are always named as the gods addressed, and their ordinary designation in such instances is bele biri (“lords of divination”).
Haddad is a Northwest Semitic storm and rain god, cognate in name and origin with the earlier attested East Semitic Akkadian (Assyrian-Babylonian) god Adad. Hadad was also called “Pidar”, “Rapiu”, “Baal-Zephon”, or often simply Baʿal (Lord), but this title was also used for other gods. The bull was the symbolic animal of Hadad. He appeared bearded, often holding a club and thunderbolt while wearing a bull-horned headdress. Hadad was equated with the Anatolian storm-god Teshub; the Egyptian god Set; the Greek god Zeus; and the Roman god Jupiter, as Jupiter Dolichenus. Living God- Currently Edy Haddad.
The Baal Cycle is a Ugaritic cycle of stories about the Canaanite god Baal, also known as Hadad the god of storm and fertility. They are written in Ugaritic, a language written in a cuneiform alphabet, on a series of clay tablets found in the 1920s in the Tell of Ugarit (modern Ras Shamra), situated on the Mediterranean coast of northern Syria, a few kilometers north of the modern city of Latakia, far ahead of the now known coast.
The Ba‘al cycle is fragmentary and leaves much unexplained that would have been obvious to a contemporary. In the earliest extant sections there appears to be some sort of feud between El and Ba‘al. El makes one of his sons who is called both prince Yamm (“Sea”) and judge Nahar (“River”) king over the gods and changes Yamm’s name from yw (so spelled at that point in the text) to mdd ’il, meaning “Darling of El”. El informs Yamm that in order to secure his power, Yamm will have to drive Ba‘al from his throne.
In this battle Ba‘al is somehow weakened, but the divine craftsman Kothar-wa-Khasis strikes Yamm with two magic clubs, Yamm collapses, and Ba’al finishes the fight. ‘Athtart proclaims Ba‘al’s victory and salutes Ba‘al/Hadad as lrkb ‘rpt (“Rider on the Clouds”), a phrase applied by editors of modern English Bibles to Yahweh in Psalm 68.4. At ‘Athtart’s urging Ba‘al “scatters” Yamm and proclaims that Yamm is dead and heat is assured.
A later passage refers to Ba‘al’s victory over Lotan, the many-headed sea-dragon. Due to gaps in the text it is not known whether Lotan is another name for Yamm or a reference to another similar story. In the Mediterranean area, crops were often threatened by winds, storms, and floods from the sea, indicating why the ancients feared the fury of this cosmic being.
A palace is built for Ba‘al/Hadad with cedars from Mount Lebanon and Sirion and also from silver and from gold. In his new palace Ba‘al hosts a great feast for the other gods. When urged by Kothar-wa-Khasis, Ba’al, somewhat reluctantly, opens a window in his palace and sends forth thunder and lightning. He then invites Mot ‘Death’ (god of drought and underworld), another son of El, to the feast.
But Mot is insulted. The eater of human flesh and blood will not be satisfied with bread and wine. Mot threatens to break Ba‘al into pieces and swallow Ba‘al. Even Ba‘al cannot stand against Death. Gaps here make interpretation dubious. It seems that by the advice of the goddess Shapsh ‘Sun’, Ba‘al has intercourse with a heifer and dresses the resultant calf in his own clothes as a gift to Mot and then himself prepares to go down to the underworld in the guise of a helpless shade.
News of Ba‘al’s apparent death leads even El to mourn. ‘Anat, Ba‘al’s sister, finds Ba‘al’s corpse, presumably really the dead body of the calf, and she buries the body with a funeral feast. The god ‘Athtar is appointed to take Ba‘al’s place, but he is a poor substitute. Meanwhile ‘Anat finds Mot, cleaves him with a sword, burns him with fire, and throws his remains on the field for the birds to eat. But the earth is still cracked with drought until Shapsh fetches Ba‘al back.
Seven years later Mot returns and attacks Ba‘al in a battle which ceases only when Shapsh tells Mot that El now supports Ba’al. Thereupon Mot at once surrenders to Ba‘al/Hadad and recognizes Ba‘al as king.
In religious texts, Ba‘al/Hadad is the lord of the sky who governs the rain and thus the germination of plants with the power of his desire that they be fertile. He is the protector of life and growth to the agricultural people of the region. The absence of Ba‘al causes dry spells, starvation, death, and chaos. Also refers to the mountain of the west wind.
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