Why Claiming that a Writer is “Biased” is Usually Meaningless
In the great lexicon of “Commonly-Used Words that Mean Absolutely Nothing in Contemporary Discourse,” the term “biased” is perhaps the most meaningless of all. Go through a few Amazon book reviews of recent historical scholarship and you will undoubtedly read reviews that don’t actually engage in the book’s content but claim that the author is “biased.” Scroll through social media and view discussions about essays in online news sources, and sure enough you’ll see people complaining about bias.
Complaining that a writer has a bias is more often than not a completely meaningless gesture that simply intends to end discussion about a particular topic. Rather than engaging the writer’s argument, claiming bias means shifting the argument towards questions about the writer’s motivations. And more often not, this exercise is speculative and the critic really doesn’t know anything about the writer’s motivations or his or her scholarship and personal experiences. If you cannot explain those motivations or clearly explain what the author is biased for or against, then claiming “bias” is meaningless.
I’ve experienced claims of “bias” in my own writing on this website. One of the most popular essays I’ve written here explores Ulysses S. Grant’s relationship with slavery before the Civil War. As you can see in the comments of that essay, several readers claimed that I was “biased,” overly generous to Grant, and that I wouldn’t be so generous to Robert E. Lee. While I’ve mentioned Lee in passing in various essays here, I have never made him a featured subject and have never discussed his relationship with slavery, so there’s no proof I would actually treat Lee differently from Grant. The claims against me are speculative in nature, based on feelings and a speculative judgement that I would be biased in that case. In reality, these claims against me say more about the reader than my scholarship and are a perfect example of why claiming “bias” is meaningless.
All writers approach their subjects with biases shaped by past life experiences, education, and political motivations. Having biases is in fact perfectly natural. The burden of proof in determining whether those biases irreparably damage the writer’s argument falls onto the critic, however, and thinking about bias claims this way actually makes the task of convincingly arguing that an author is biased all the more difficult. Even when the case of a writer being biased is completely noticeable, such as the case of Dinesh D’Souza’s relentless distortion of history and the Ku Klux Klan to support his hatred of the Democratic Party, focusing on the writer’s arguments is a far better course of action that speculating about his or her personal motivations.
Focus on the game, not the players.
Cheers








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